Sunday, November 29, 2015

A Little Love Poem in the Form of Economics Literature - Lalrinkima Ralte

An Investment

So this is how it starts -
life is a market,
an exchange of goods and services,
for me on my part,
my money is love,
and when I first saw you,
I realized that
you were a social overhead capital,
an indispensable source,
an injection into my life,
a stock upon my heart,
a demand for my soul.

A perfect competition,
yet imperfect market,
for I have to compete with other firms
and then supply to you
the best final product.
When others spread moral hazards,
let us apply our market signaling,
asymmetric information,
is all that others will receive,
for you have already monopolized
my market,
my firm.

Together let us try
to internalize our externalities,
so that the spill-over effect will be positive,
and such free riders will gain from ours,
that there are no trade-offs in love,
that in fact a multiplier effect takes place
like a fixed-deposit getting higher and higher
in value each day,
your love, my love,
will climb higher and higher,
even in recession,
and in depression also.

While I have the absolute advantage,
and our love in equilibrium,
in the ideal state of Pareto optimality,
I want you to know
you are an asset,
while I,
a mere liability.



Lalrinkima Ralte, as may be quickly deduced, is an Economics University student with a passion for literature. He lives in Aizawl Venglai and enjoys writing in English though he's the first to admit his grammar needs brushing up. His religious views are that of a "free seeker," while his politics are "left wing, revolutionary."


Sunday, November 8, 2015

Sunday, Aizawl - Cherrie Lalnunziri Chhangte

















Church bells intrude into my musings.
Musings? Pretentious me. Thoughts.
I am not the type to muse.
But the bells – it is 6:00 pm
and I count three so far,
of varying tones and volumes
calling to worship the same God
in different voices.
Up the hill is the Big Church
their bells seem more imperious;
down the valley, a little muted
but insistent nonetheless.
I am unsure if the church
that meets in that apartment
across my bedroom window
has bells.
Downstairs I know for sure
they don’t need one.
Their flock are too scattered
to hear them anyway.

Soon there will be singing
and we will decide
which church is more spiritual
by the way they sing.
The congregation downstairs
don’t stand a chance –
they are too small,
and a few straggly voices
struggle to carry high notes
accompanied by a lone  khuang,
easily drowned by the electronic
euphoria of surrounding churches.

Aizawl.
So many churches.
Such dedication to dedication.


Dr. Cherrie Lalnunziri Chhangte is on the teaching  faculty of the English dept at Mizoram University. She writes poetry in English and also does translations from Mizo to English.

Photo credit: Henry de Ccorn

Thursday, November 5, 2015

Re-Package 'Mizo' - Lal Khiangte


I have been born a Mizo and  I have always felt like a Mizo (whatever that is). Nowadays, every one is talking about ‘going back to one’s roots’ and ‘loving one’s own culture’ and so on. This led me to thinking - how Mizo do you have to be to be a Mizo? Are there levels?  What is being a Mizo any way? All my life I thought I was just as Mizo as the person next to me, my neighbour, my best friend and my dog. With a pair of jeans and a hair colour that changes every six months, I felt like a Mizo just as any other Mizo person out there. I didn’t know wearing a traditional dress was the only way to become a real Mizo!

I understand that the older generation wants to preach to the new ones about the importance of wearing one’s own traditional dress. They are only trying to make us more Mizo! I am a little confused as to what constitutes a Mizo in the first place. Blood-tribe-location-facial prominence-dress? Which is it? Personally, I associate being a Mizo with Tlawmngaihna first and foremost. I think that is the only thing that really sets us apart from other cultures. That selfless act of pure sacrifice for others - nothing can beat that. I don’t really care about how you look as long as you have a good heart! Right? Apparently not.  It seems we need to play ‘dress up’ in order to show that we belong to a certain tribe.

‘Image is everything’ says the Kardashian clan. If you don’t know who they are, then you do not really care about "image." If image is what we aim for, we  Mizos are pretty good at creating the Mizo Brand. Sunday-Christian Mizo image, puan-wearing-virginal-looking Mizo women, formal shirt-wearing-church-going men, you get the drift. I do not have a problem with the way we want to dress. I think it's classy and smart. It becomes my problem when the way we dress is not backed up by substance. It’s all style and no substance. I care more about the inner workings of a person’s heart rather than the way a person appears to be. Yes, I enjoy watching ‘Keeping up with the Kardashians’ but I also know it’s not ‘real’. So which image do we want others to see in us? The fake or the real?

Young Mizo kids today are enamoured by Korean styles and everything Korean. There is a strong reason for it. Korea is cool. Korea is hip. Korea sells and it sells big time. Now I don’t ever recall Korea forcing its culture down our throats, we gladly welcomed it with open arms. There’s something we can actually learn from them before we brand them as bad influence to our society. You see, we need to re-package Mizo culture! In order to do this we first need to re-define what Mizo is. With all due respect and no offence to our forefathers,  maybe its time to change our perceptions with the changing times. Let us be accommodating. A Mizo can be a traditional-dress-wearing man,  a Mizo can be a young kid with green spiked hair. The sooner we accept this, the more comfortable we will be. Instead of focusing on the way we dress, why don’t we teach the true values to our younger generation? True values like honesty, hard work, self-sufficiency, and of course being true to one self more than anything else. We do not have to force any one to buy the Mizo culture. They will when they see something they like. Our job here is to re-package it.

For instance, you can’t force anyone to wear a traditional dress on their wedding day. Instead show them how good it feels to be a Mizo. Re-wrap the Mizo dress and sell it to them (metaphorically). If we see what we like, we buy it. Simple as that. People may flinch and say, "You can’t sell culture, its absurd!"  Well, let me burst your bubble, culture has been commoditized since paper became money. We have been buying the western culture for years, haven’t we? What about Mizo culture? Do we have anything worth selling? Can we sell? The answer is Yes. We can sell our family values, our never ending allegiance to God, our humility, our smiles.. the list can go on forever. The important thing here is to re-package our cultural products. How do we do that? I do not have all the answers but I will give one example.

Repackage Tlawmngaihna. I think this is by far the most prominent value that Mizo people have. If we can sell this to us, we can sell it to the world. You may have heard of the word ubuntu which has its origin in an African saying which goes, ‘I am because we are.’ In short, it talks about being a good human being to each other. Now this word/value has been repeatedly discussed by world famous people like Nelson Mandela and Oprah. They are repackaging Ubuntu and selling it to the world. I know we have also taken pride in our Tlawmngaihna but in recent times, it has taken a back seat. Maybe we need to put it in a nice bottle and gift wrap it with a sweet note.

Be creative and sell me my Mizo and I shall buy it willingly. You don’t need to force it down my throat. Sometimes all you need is to serve it with a spoonful of sugar.

P.S. I am a Mizo as much as you!



Lal aka Lalremruati Khiangte is an Assistant Professor in the department of Mass Communication at Mizoram University. She wrote this feisty assertion of the young, educated, urban, contemporary Mizo in April 2013 for her blog https://gkhiangte.wordpress.com.  I am grateful to her for allowing me to repost it here.


Tuesday, June 30, 2015

Loan Words In Mizo From English - Sian Lalchhandami

(Blog owner's note: While this blog primarily focuses on literary writings, I have noted from the web counter that a number of visits have been made in an attempt to know something about the Mizo language. I hope this blog post will go some way in being of help for such users.)


Loan words can be defined as words that are ‘borrowed’ from another language. The word ‘borrowing’ has been defined as the incorporation of foreign elements into the speaker’s native language by Thomas and Kaufman (1988).

Language contact has taken place in many parts of the world due to migration, trades, colonialism etc. which often leads to borrowing of the languages from the immigrant languages to the native language which is a case with the Mizo language also known as 'Duhlian.'

Mizo is one of the dialects of the Tibeto-Burman language. There were many dialects spoken in different regions of Mizoram such as Lai, Mara, Hmar, Ralte etc. and linguistic diversity has always been embedded in space/time and group but it has been reduced over the last hundred years with the arrival of the British. ‘Mizo-Duhlian’ gradually developed as a means of communication for Mizos between people of different clans/lineages/sub-groups and it is now the dominant language of the Mizos, an important marker of identity for all ‘Mizo tribes’ irrespective of their kin group/clan/lineage/sub-group.

Before the advent of the British in 1870, the Mizos did not have any written record since they had no script, and verbal language was their only means of communication. There is a myth that the Mizos had a written document on the skin of an animal but a dog ate it up and so they lost their only piece of written material.

The first written document about the Mizos and their language was written by Tom Herbert Lewin who worked in the Chittagong Hill Tract for 9 years. The Mizos called him ‘Thangliana’ and in his book ‘Progressive Colloquial Exercise in the Lushai Dialect’ (1874), he transliterated the Mizo words using the English alphabet. His book served as a chief guide for the missionaries who later came to Mizoram in learning the language of the natives.

With the coming of the British missionaries, written language was introduced in 1894 in Mizo by two Welsh missionaries, Rev.D.E.Jones and Rev.F.W.Savidge, who created the Mizo alphabet based on the Roman script around March1894, four months after they reached Mizoram. The letters of the Mizo alphabet are:–

a      aw b     ch d e     f ng     h     i     j     k l    m    n    o p r     s    t t     u     v     z


The first written book in Mizo was ‘Mizo Zir Tir bu’ (Learning Mizo), published on 22nd October 1896.

The continuous contact with the British, especially the missionaries, had a strong influence on the Mizo language especially in word construction and coinage of new words.

Many words were borrowed from English and eventually accepted as a part of the Mizo language. The borrowed words are mainly names of things (nouns), where some words are used without a change while some others are used in the ‘nativized’ pronunciation. The main reason for the borrowing of English words in Mizo is because they represented objects that were unknown to the Mizos, in their native language, before the advent of the British and since they had no names for such object, they ended up using the English word.

The earliest example of loan words from English would be the names of books from the Bible. The missionaries translated  the English Bible to Mizo where the names of the books such as Genesis, Exodus, Leviticus, Numbers, Deuteronomy, Chronicles etc. remain the same, while some books such as Mathaia (Matthew), Marka (Mark), Luka (Luke), Johana (John) etc. were written in a nativized or ‘Mizo-ized’ form.

Gradually, many other words were borrowed and some examples of directly borrowed words are:
1) Names of fruits and vegetables:
                     apple, grape, tomato, pear, carrot, bean.
2) Names of objects:
                      pen, pencil, slipper, bucket, fan, blanket, cushion.
3) Names of places:
                   sitting room, college, restaurant, hotel, office, police station.
4) Names of professions and designations:
lecturer, police, pastor, driver, peon, chairman, secretary.
5) Names of musical instruments:
guitar, keyboard, violin, drum-set.
6) Names of clothes:
                   jeans, t-shirt, jacket, coat, pull-over, pyjama.

Apart from the above examples, we also find many loan words for the names of sports, flowers and food items.

There are other words which are borrowed and then nativized in phonology. For example:
Doctor = Daktawr
Kettle = Ketli
Office = Awfis
School = Sikul
Rucksack = Rawk sai
Cartridge = Kartut
Company (East India Company) = Kumpinu
Lantern = Laltin

There is also a process of hybridization in compound formation where at least one component of the compound word is from English. Examples:

Water pipe = Tui pipe
Electric wire = Electric hrui
Flower pot = Pangpar pot
Gas stove = Gas thuk
Note book = Note bu

In these examples, an English and a Mizo word are put together to construct a hybrid compound.

With regard to science and technology, the Mizos use English words to express those terms and concepts where there are no equivalent words in Mizo. Such examples are plug, refrigerator, television, computer, tape, video, car, truck etc. However, these kinds of words are also used in most Indian languages. The use of these terms as  part of their own language only shows that the Mizos are greatly influenced by the global power of English and English speaking countries in the process of their development.

With the passage of time, English became the second language for the Mizos and a large section of the population is often found using the lexical items of English instead of the original first language. Examples:

Scale = Rin ngil
Lipstick = Hnawih sen
Towel = Hruk puan
Mattress = Awng phah
Bag = Ipte
Step = Kailawn
Bicycle = Thir sakawr

The second language, English, is more commonly used though there are equivalent words for them in the native language and this is known as ‘Nonce Borrowing’. According to Poplack and D.Sancroff, ‘Nonce Borrowing’ is clearly a route for the later adoption or integration of these lexical items as loan words in the minority language. This prediction of Poplack and D.Sancroff seems to be very true with Mizo, especially among the younger generation who prefer to use an English word instead of its Mizo equivalent. Examples are: chair instead of thutthleng; bathroom instead of bualin; plate for thleng; paper for lehkha; bag for ipte etc. The English word is therefore being used as though it is a Mizo word and there has been a continuous debate over the continuous use of English words for the native language.

English has gained a dominant influential role in Mizo mainly due to the wide and non-resistance acceptance on the part of the natives. The Mizos have borrowed many words from English for their own convenience but this has affected the growth and development of the native language. Language is an intrinsic expression of culture. It is a means by which culture and its tradition and shared values may be conveyed and preserved. It is fundamental to cultural identity and for this reason it is important that people keep their own language alive. Since the Mizos have borrowed a large number of words, it is now difficult to communicate even for an hour without using at least one English word. What makes it more alarming is that we do not seem to realize the critical stage in which we have put our language. As language dies, culture also dies and even if we are a part of the global culture, we should remember that the use of community language is important both for individual and for group identity and for communication across generations. It would be best to try and coin a new word in the native language to replace the borrowed words and return them to the rightful owner once its equivalent words are coined in the native language.


References:
1) G.A. Grierson, Linguistic Survey of India, Vol-III, part III, (reprinted), Motilal Banarsidan, Delhi 1967.
2) Zo Kalsiam; Mizo Academy of Letters, Mizoram, Aizawl (1997)
3) Linguistic Outcomes of Contact.


Sian Lalchhandami completed her Masters in English at Hyderabad University and is now working at the District Institute of Education and Training (DIET), Mizoram.


Wednesday, June 24, 2015

Always on the outside, looking in - Baruk Feddabon


Always on the outside,
looking in.
Nose flat against the window pane
fogging it up till each
little breath becomes a
thing,

round and cold, and often
wet,
slipping
in to and out of
and in to
and out of

and
round and round the merry rascals ran
and
all around the (bloody) mulberry bush
and
uphill and downhill and inmylady's chamber

till
passing car lights
reveal a startled reflection,

Nose flat against the window pane
fogging it up till each
little breath becomes a
thing,
Always on the outside,
looking in.


Baruk is of Mizo blood on the maternal side, his mother being the much-admired Malsawmi Jacob. Born in Mizoram and brought up in Shillong, he now lives in Auckland, New Zealand, all of which should immediately explain where this poem comes from.